Kyoung H. Park

Kyoung H. Park

Artist Statement

I write and direct new plays that rigorously explore sources of violence and engage with local communities to develop an empathetic understanding of underrepresented perspectives. I begin my work by inviting artists and non-artists to participate in cross-cultural and interdisciplinary theatrical experiments. Together, we create an aesthetic language that helps us transcend our differences and give voice to diverse, often marginalized perspectives. This process allows me to test within myself my willingness to change, and when confronted by resistance, I research and transform personal and communal experiences of oppression into peace messages that are made public through performance.

On Stage

Kyoung H. Park was born in Santiago, Chile and is the first Korean playwright from Latin America to be produced and published in the United States. For over a decade, he worked internationally in Chile, Brazil, England, South Korea and India, searching for contemporary theatrical models that integrate his passion for peace studies and playwriting. He currently writes and directs his own work as Artistic Director of Kyoung’s Pacific Beat—a peacemaking theater company—and is author of Sex and Hunger, disOriented, Walkabout Yeolha, Tala, Pillowtalk, and many short plays including Mina, which is published in Seven Contemporary Plays from the Korean Diaspora in the Americas by Duke University Press.

Kyoung was Artist-in-Residence at the Baryshnikov Arts Center, LaGuardia Performing Arts College’s Rough Draft Festival, Creative Mellon Fellow at the University of Washington (Seattle), a Field Leadership Fund Fellow, and is founding member of The Sol Project, member of the Ma-Yi Theater’s Writer’s Lab, New York Theater Workshop Usual Suspect, and serves in the Dramatist Guild’s Devised Theater Committee, Performance Project @ University Settlement Advisory Board, and Cultural Ambassador of the Indie Theater Fund. Kyoung has been a grant panelist for the NEA, TCG, and ART/NY.

Kyoung has collaborated in the World Premiere of David Levine’s ANGER AT THE MOVIES (PS122 COIL Festival), workshop productions of Lee Breuer’s LA DIVINA CARICATURA (PS122, Public Theater’s Under the Radar Festival), MABOU MINES’ GLASS GUIGNOL (Provincetown’s Tennessee Williams Theater Festival, Sundance Theater Institute at Mass MoCA, Wesleyan University, St. Ann’s Warehouse), interned for Young Jean Lee’s Theater Company and 13P, and is an alum of the Royal Court Theatre’s Young Writer’s Programme (London), Ensemble Studio Theatre’s Youngblood, and Soho Theatre’s Writer’s Hub (London).

Kyoung was Writer-in-Residence at Sanskriti Pratisthan (New Delhi), Vermont Studio Center, Performance Project @ University Settlement, BRIC Arts Media Center, and Centro Cultural Gabriela Mistral (Santiago, Chile). Kyoung is recipient of commissions from Mixed Blood Theater Company (Minneapolis), Latinx Theater Commons/Howlround (New York), fellowships from the Edward Albee Foundation, Theater of the Oppressed International Exchange Program (Rio de Janeiro), Target Margin Theater’s Institute for Collaborative Theater-Making, and recipient of grants from the Arvon Foundation (London), TCG Global Connections–On the Road Program, Foundation for Contemporary Arts Emergency Grant, Princess Grace Foundation Special Projects grant, GK Foundation (South Korea), and was named a 2010 UNESCO-Aschberg Laureate (Paris).

Kyoung lives in Brooklyn, New York with his husband, Daniel Lim, and continues his self-education in Buddhism, having made his refuge vows with His Holiness the 14th Dalai Lama in Dharamsala, India.

In the Field

  • “Marriage Equality Across the Generations”, Kyoung’s Pacific Beat, New York, NY. Jan. 13, 2018
  • “Meeting a Distant Star”, Abrons Arts Center, New York, NY. Sept. 28th, 2017
  • “Literature and Social Practice”, Ehwha Women’s University, Seoul, South Korea. July 2017
  • “Colaboracion Experimental”, Teatro DUOC, Santiago, Chile. June 2017
  • “Art for Change: A Panel Discussion”, Asian-American Arts Alliance, New York, NY. Dec. 8, 2016
  • “Politics, Revolution, and Art: A Theatrical Symposium”, Woolly Mammoth Theatre Company, The Laboratory for Global Performance and Politics, Global Theater Initiative in association with the Middle East Institute’s Arts and Cultural Program, Washington, DC. Nov. 5, 2016
  • “Creating Peace Through Art”, Korea Arts Council – Artist House, Seoul, South Korea. Oct. 21, 2016
  • “Devising Outside the Box”, Seismic Shifts: 5th National Asian American Theater Conference & Festival at Oregon Shakespeare Festival, Ashland. Oct. 3, 2016
  • “Creating Peace Through Art”, Hot Asian Everything: A Seismic Exhibition, Mulnomah County Library, Portland. Oct. 2, 2016
  • “Finding Home: Migration, Exile and Belonging,” TCG Global Pre-Conference at George Washington University, Washington, DC. Jun. 22, 2016
  • “Morley: Circle Round Dignity, Courage & Survival,” David Rubenstein Atrium at Lincoln Center. Apr. 27, 2016
  • “Checkpoints: Communication Consciousness.” NYC Asian-American Student Conference, New York University. Mar. 14, 2016
  • “Dreaming the Americas—Cultural Appropriation- Who’s Telling Whose Story” NoPassport Conference. New York University. Mar. 14, 2016
  • “LabEscenico,” Festival Santiago a Mil / Theater Communications Group (TCG). Santiago, Chile. Jan. 22, 2016
  • “Dramaturgia Experimental,” Interdram at Matucana 100. Santiago, Chile. Dec. 21-29, 2015
  • “Open Spectrum Critical Community Dialogues: Navigating Privilege,” Culturebot / MAPP International Productions. New York Live Arts. Dec. 7, 2015
  • “The Conscious Language In Practice,” Poetic Theater Productions. Wild Project Theater, NYC. Aug. 29, 2015
  • “Healing Political Trauma,” Kyoung’s Pacific Beat. Performance Project @ University Settlement. Jan. 15, 2015
  • “Latino Commons Encuentro,” Martin Segal Center, CUNY. Nov. 10, 2014
  • “Queering Gay Marriage,” Kyoung’s Pacific Beat. Ma-Yi Studio. Jun. 2, 2014
  • “The Uncomfortable Conversation,” Brooklyn Commune Global Congress. Invisible Dog Center, NYC. Nov. 22, 2013
  • “On the Nature of Political Revolutions,” Kyoung’s Pacific Beat. HERE Arts Center. Jul. 29, 2012
  • “North Korea: WTF?” Kyoung’s Pacific Beat. Theater C @ Peter Jay Sharp Theater on 42nd Street. Feb. 26, 2011.

In the Community

  • Indie Theater Fund, Cultural Ambassador. May 2016 – Present
  • Performance Project @ University Settlement, Artistic Advisory Board. May 2016 – Present
  • The Dramatist Guild, Devised Theater Committee Member. Apr. 2016 – Present
  • Sol Project, Founding Member, Co-Curator. Aug. 2014 – Present
  • Brooklyn Commune, Director of Cultural Democracy and Representation Research Team. May 2013 – Nov. 2014
  • Second Generations, Director of Strategic Planning, Program Director for Community Voices: Queer API. Aug. 2012 – July 2013
  • GAPIMNY, Fundraising Chair. Aug. 2011 – Dec. 2013